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Terms and Conditions
Introduction
Welcome to TONGUES, provided by Voodoo Voodoo Ltd (“we”, “us”, “our”). Access to and use of this website (“TONGUES”) is provided by us on the basis of a number of important terms and conditions, which are set out in full below.
You should carefully read these terms and conditions (“terms”). When you use TONGUES, you will be legally bound by these terms, which will take effect from your first use of TONGUES. If you do not agree to be legally bound by these terms, then you should not use TONGUES>.
These terms apply generally to the use of TONGUES. Any facility (“Comment Facility”) that we may make accessible to you through TONGUES, enabling you to post messages, comments, information, material or content (a “Contribution”), may have additional special terms attached. If and when a Comment Facility becomes available, you will need to read and agree to be legally bound by those special terms before you post a Contribution or use those sections. If you do not agree to be legally bound by those special terms then you will not be able to post a Contribution.
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Changes to Terms
We are continually seeking to update and improve TONGUES. As a result, we may make changes to TONGUES, including these terms, at any time. You will need to review these terms regularly so that you are aware of any changes we have made. You will be legally bound by the updated or amended terms from the first time that you use TONGUES after we post the changes on-line.
TONGUES Content
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Third party websites
We do not monitor the content of third party websites and any link provided on TONGUES is solely for your convenience. We cannot therefore accept any responsibility for any third party website. You are responsible for checking and complying with the terms and privacy policies applicable to your use of any third party website.
Responsibility
The extent of our responsibility to you has been determined in the context of the following:
access to TONGUES is provided to you free of charge;
it is your responsibility to determine the suitability of any TONGUES content for any particular purpose to which you wish to put it;
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Whilst we will endeavour to ensure that TONGUES is available to you and that content for which we are responsible is accurate, we cannot make any legal commitment or representation to you that TONGUES will be available at any particular time or that it or any TONGUES content will be of any particular quality or fit for any particular purpose. However, we will exercise reasonable skill and care in providing any service to you.
We can accept no liability to you for any of the following types of loss (should you suffer any of them as a result of your use of TONGUES):
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Remedies
To the extent that we are practically able to do so, we may terminate your access to any part of TONGUES at any time without notice if you breach any of the terms.
General
If any of these terms are determined to be illegal, invalid or otherwise unenforceable then the remaining terms shall remain in full force and effect.
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© TONGUES — An initiative by Voodoo Voodoo Ltd

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Privacy & Cookies Policy
Introduction
The tongues.cc website is operated by Voodoo Voodoo Ltd (‘TONGUES’).
This privacy policy applies to TONGUES.
We want you to enjoy our website and services secure in the knowledge that we have implemented fair information practices to protect your privacy. By visiting our website, you are accepting the practices described in our privacy policy, including our use of cookies and similar online tracking technologies. If you do not agree to the terms of this privacy policy, please do not use the website.
TONGUES may change this policy from time to time by updating this page and you should regularly check to ensure that you are happy with any changes. This policy was last updated on 11 February 2020.
The policy outlines:
1. General principle
2. How we collect information
3. Types of information we may collect
4. How we use your information
5. How we protect the information we collect
6. Access to your personal information
7. How to contact us
1. General principle
There are two types of information we may collect from you when you use the website: non-personally identifiable information and personally identifiable information. Non-personally identifiable information does not individually identify you, but it may include tracking and usage information about your general location, demographics, use of the website and the internet. Personally identifiable information is information that you voluntarily provide when you set up a user account, subscribe to a newsletter, or query that can individually identify you and may include your name and email address etc.
We do not link non-personally identifiable information to your personally identifiable information.
We do not share either type of information unless required to run the website and services (see third-party services below). We will never sell either type of information.
This privacy policy does not apply to any information collected outside of the website, including offline or through other means (for example, via telephone or through email), unless otherwise stated below or at the time of collection.
2. How we collect information
We collect information when you:
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— Answer a reader survey
— Provide information to us
Links to other websites, social media platforms
Our website may contain links to other websites of interest. However, once you have used these links to leave our website, you should note that we do not have any control over the information that is collected and shared about you. You should exercise caution and look at the privacy statement applicable to the website in question.
You may interact with content on our website through social media platforms we use such as Facebook by using their social features. Examples of social features include ‘liking’ or ‘sharing’ our content. We encourage you to review their policies before using their tools, which can be found at their respective websites. If you’d prefer that these social media platforms do not collect information about the content you share and use, we suggest that you don’t use their tools.
3. Types of information we may collect
The types of information we may collect includes:
— Account information (email address)
— Information you provide through a TONGUES reader survey which might include age range, education level etc
TONGUES is not responsible for any information you have provided in public areas of our website or on our social media platforms, which may then be viewed by other users.
4. How we use your information
The information we collect may be used to help us:
— Provide services you voluntarily subscribed to such as email newsletters
— Improve the quality of our website
— Promote services to you including advising you of updates or changes to our website and services
— Improve the website through reader surveys and feedback
Disclosure to third-party services
As part of providing our website and services to you we use a limited number of third-party services that perform functions on our behalf, including but not limited to website hosting, server monitoring, tracking user behaviour, marketing automation services, and customer service.
We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of these third-party services and encourage you to read the policies of the services we use below:
TONGUES uses the MailerLite marketing automation service to issue newsletters. Find out more about MailerLite’s Privacy Policy and Terms.
When you subscribe to our email newsletters
By clicking ‘Subscribe’ you agree to the following: 
We will use the email address you provide to send you a weekly or monthly email. We also send occasional updates and, no more than once a year, reader surveys. 
The email address/es you provide will be transferred to our external marketing automation service ‘MailerLite’ for processing in accordance with their Privacy Policy and Terms. We use MailerLite to issue our newsletters. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailerLite
Unsubscribing
You can change your mind at any time by clicking the ‘unsubscribe link’ in the footer of emails you receive from us, or by contacting us at info@tongues.cc. If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at info@tongues.cc.
5. How we protect the information we collect
We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or third-party service providers. 
Sharing your personal information
We will not disclose your personal information except; (1) as described by this Privacy Policy (2) after obtaining your permission to a specific use or disclosure or (3) if we are required do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which it was obtained or to comply with our legal obligations and enforce our agreements. 
Data transfer
This website is published in the United Kingdom. If you are located in a country outside of these countries and voluntarily submit personally identifiable information to us, you should be aware that information about you will be transferred to this countries. We attempt to comply with local data protection laws to the extent that they may apply to TONGUES. 
Age of consent
Our website is not directed at children under the age of 18 and we do not knowingly collect or maintain information from those we know are younger than 18. If you are younger than 18, you should not submit or post any personally identifiable information to our website. By using the Service, you represent that you are at least 18 years of age.
6. Access to your personal information
You may request a copy of the personal information we hold about you by submitting a written request to info@tongues.cc. We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you. 
We take all reasonable steps to ensure the information held is accurate, up-to-date, complete, relevant and not misleading. 
7. Contact us
If you have any questions about our privacy policy or our use of your information, please contact us at info@tongues.cc.

Vera Sacchetti & Matylda Krzykowski

May 27 / 2020

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Vera Sacchetti and Matylda Krzykowski founded Foreign Legion in 2018 as a curatorial initiative for systemic change in design, architecture and the arts.  

Critically questioning obsolete social structures and conventions, Foreign Legion aims to amplify historically underrepresented voices and champion equal and fair opportunities. 

Their first projects together as Foreign Legion include the symposium ‘A Women’s Work’, and the exhibition ‘Add to the Cake: Transforming the roles of female practitioners’ at Kunstgewerbemuseum Dresden.

They are currently developing a new publication, titled ‘We Are Foreign and We Are Everywhere: Networks for Systemic Change’, and have just contributed to the ‘Arts of the Working Class Magazine’ as part of the German pavilion at the 17th International Architecture Exhibition — Venice Biennale.

 

Q >   What’s the most satisfying part of your work (and why)?

MK >   If all expectations of everyone involved are met.

VS >I find the daily exercise of persistence to be the most rewarding, alongside the moment when things, people and projects come together for the first time. A lot of potential is unleashed (or comes full circle) in those moments.

Q >   Does humour help you overcome challenges?

VS >Always.

MK >   Humour can be the challenge. It can act as a disguised moralist.

Q >   Who or what inspires you?

MK >   I get inspired when I am surprised. It is the most rewarding reaction that can happen to you.

VS >At the moment, and under the current circumstances, I find great inspiration in small daily tasks and accomplishments, what Yona Friedman called the “micro-joys”. They keep you going.

Elsewhere, I keep listening to great minds share their knowledge over the internet in Instagram Lives and Zoom calls. It’s been inspiring to just listen, these days: recently I heard great things from Paola Antonelli, Alice Rawsthorn, Michelle Millar Fisher, Zöe Ryan.

Q >   Tell us about moments in your life that helped define or change your identity.

VS >I feel like the moment we’re going through is definitely one of those. Others are related to the act of changing contexts: moving to Porto, to Rotterdam, to New York, to Milan and finally (or for the moment), Basel. All those were opportunities to start from scratch; as Frantz Fanon wisely put it, “in the world through which I travel I am endlessly creating myself”.

MK >   I have lived a quite uncompromising life in which I encountered many people who have affected me, or who I have affected. Vera reminds me of it frequently. I guess, I live for these moments with today’s or tomorrow’s practitioners that somehow have the nerve to want to make the world their own.

Q >   Building connections with ‘places’ through presence and absence: tell us about your journeys and which places have triggered memorable emotions.

VS >This seems like an odd question in the present moment, where we are forced to be in place rather than moving around. Matylda and I have travelled more than we should for a lifetime, I think. To me, some of those trips seem absurd and unnecessary now, but all of them taught me something. Others seem essential: time spent in Japan and Iran recently was a welcome change of perspective for many reasons.

MK >   As Vera already said we have seen and probably also influenced quite some places. My recent journey to the Californian desert where I stayed with the American artist Andrea Zittel has made me realise that you aren’t free because of choices, you are rather free within limitations. I got back to Berlin two months ago and that clearness and pureness of the desert was present here too.

Q >   Opening conversations around taboos — where would you start? Which topics should we be discussing more?

VS >The current pandemic can open portals to discussions that need to be happening. Not just about feminism, climate change, universal basic income, new ways of leading countries and creating community. But more than discussing, I find the present moment to be a great opportunity to do things and put them to the test. We will all be greatly transformed by this experience.

MK >   Systemic change in education. In times of distant learning we gathered proof that the present or future of education is not online. We entered an unexpected phase of forced experimentation with technologies but it is evident that there is no substitute for human interaction. I can see that with the students I work with at AA London, Die Angewandte in Vienna and HKB Bern. I would start with building actual test sites for learning and experimentation.

Q >   What makes you angry?

VS >Superficiality, ego trips, misogyny. Patriarchy!

MK >   Hypocrisy and violence. Patriarchy is embarrassing. 

Q >   Which things would you like to include more in your life / and less of?

VS >The current moment is a good one to pose these questions, but I don’t know that I have an appropriate answer. I think we’re all just trying to endure and survive. Time will tell what will remain or blossom in our lives.

MK >   I wonder if I travelled so much in the past years not because I actually wanted it, but because it was offered to me. Every week I would take a plane or a train for work. But I actually like being in one place.

 

Vera Sacchetti is a design critic and curator. She serves in a variety of curatorial, research and editorial roles, most recently as one half of the curatorial initiative Foreign Legion and associate curator of the 4th Istanbul Design Biennial – A School of Schools. She is co-curator of TEOK Basel and co-founder of editorial consultancy Superscript. Her writing has appeared in Disegno, Metropolis and The Avery Review, among others.

Matylda Krzykowski is a designer, curator and artist focusing on collaborative and performative projects in physical and digital space and the development of experimental formats such as Desktop Exhibition, Superprojektand Design Date. She is a founding member of Depot Basel, place for contemporary design, Switzerland, and is a former participant of the Jan van Eyck Academy. Her work has been internationally presented and she has given lectures and workshops worldwide. 

Vera Sacchetti and Matylda Krzykowski, 2020. Photo by Diana Pfammatter

Centrefold poster for Arts of the Working Class X 2038 X German Pavilion X Venice Biennale 2020(21) — work in progress

We Are Foreign and We Are Everywhere: Networks for Systemic Change (book cover mockup), 2020

A Woman’s Work Report, 2020

A Woman's Work symposium (Japanisches Palais, Dresden). Photo by David Pinzer

A Woman's Work symposium (Japanisches Palais, Dresden). Photo by David Pinzer

Add to the Cake: visuals by Andrea Anner and Raby Florance Fofana (Kunstgewerbemuseum, Dresden), 2019

Add to the Cake Exhibition: Timeline (Kunstgewerbemuseum, Dresden). Photo by Klemens Renner

Add to the Cake: For Your Information by Chrissie Muhr Jihee Lee (installation, Kunstgewerbemuseum, Dresden), 2019. Photo by Klemens Renner

Add to the Cake: Futuress by Common-Interest and Ann Kern (installation, Kunstgewerbemuseum, Dresden), 2019. Photo by Klemens Renner

Add to the Cake: Unstable Signs as Radical Tools by Anja Kaiser Garrett Nelson (installation, Kunstgewerbemuseum, Dresden), 2019. Photo by Klemens Renner