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Terms and Conditions
Introduction
Welcome to TONGUES, provided by Voodoo Voodoo Ltd (“we”, “us”, “our”). Access to and use of this website (“TONGUES”) is provided by us on the basis of a number of important terms and conditions, which are set out in full below.
You should carefully read these terms and conditions (“terms”). When you use TONGUES, you will be legally bound by these terms, which will take effect from your first use of TONGUES. If you do not agree to be legally bound by these terms, then you should not use TONGUES>.
These terms apply generally to the use of TONGUES. Any facility (“Comment Facility”) that we may make accessible to you through TONGUES, enabling you to post messages, comments, information, material or content (a “Contribution”), may have additional special terms attached. If and when a Comment Facility becomes available, you will need to read and agree to be legally bound by those special terms before you post a Contribution or use those sections. If you do not agree to be legally bound by those special terms then you will not be able to post a Contribution.
TONGUES is not intended for distribution to, or use by, any person in a country where that distribution or use would be contrary to local laws or regulations.
Changes to Terms
We are continually seeking to update and improve TONGUES. As a result, we may make changes to TONGUES, including these terms, at any time. You will need to review these terms regularly so that you are aware of any changes we have made. You will be legally bound by the updated or amended terms from the first time that you use TONGUES after we post the changes on-line.
TONGUES Content
The rights in materials, images, information, data, trade marks, trade names and logos and other content included on TONGUES (“TONGUES content”) are are owned by us or the relevant third party content owner. All rights are reserved and acknowledged. As TONGUES content is protected by a variety of third party rights, you may not copy, adapt, re-publish, make available to the public or print off copies of TONGUES content in any way, or use it other than as part of TONGUES and for your personal non-commercial use, without our prior written permission.
Information
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Third party websites
We do not monitor the content of third party websites and any link provided on TONGUES is solely for your convenience. We cannot therefore accept any responsibility for any third party website. You are responsible for checking and complying with the terms and privacy policies applicable to your use of any third party website.
Responsibility
The extent of our responsibility to you has been determined in the context of the following:
access to TONGUES is provided to you free of charge;
it is your responsibility to determine the suitability of any TONGUES content for any particular purpose to which you wish to put it;
TONGUES does not give instructions and you are responsible for any action or decision you take or do not take as a result of TONGUES content;
It is your responsibility to ensure that your equipment is enabled with appropriate up-to-date virus checking software before you access or use TONGUES.
Whilst we will endeavour to ensure that TONGUES is available to you and that content for which we are responsible is accurate, we cannot make any legal commitment or representation to you that TONGUES will be available at any particular time or that it or any TONGUES content will be of any particular quality or fit for any particular purpose. However, we will exercise reasonable skill and care in providing any service to you.
We can accept no liability to you for any of the following types of loss (should you suffer any of them as a result of your use of TONGUES):
loss which was not foreseeable to you and us when you first accessed or registered to use TONGUES (even if that loss results from the our failure to comply with these terms or our negligence);
any business loss you may suffer, including loss of revenue, profits or anticipated savings (whether those losses are the direct or indirect result of our default);
loss which you suffer other than as a result of our failure to comply with these terms or our negligence or breach of statutory duty;
any loss suffered due to the default of any party other than us.
We do not give any commitment that TONGUES or any TONGUES content will be available uninterrupted or error free, that defects will be corrected, or that TONGUES or its supporting systems are free of viruses or bugs.
We can accept no liability to you if we fail, or are interrupted or delayed in the performance of any obligation because of:
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any other event not reasonably within our control.
We do not give any commitments or accept any liability to you in respect of TONGUES content provided by other users of the website or third parties other than us.
Nothing in these terms will limit our liability for death or personal injury arising from our negligence.
Remedies
To the extent that we are practically able to do so, we may terminate your access to any part of TONGUES at any time without notice if you breach any of the terms.
General
If any of these terms are determined to be illegal, invalid or otherwise unenforceable then the remaining terms shall remain in full force and effect.
These terms shall be governed by and interpreted in accordance with the laws of England and Wales. If you are a consumer, then you may have rights to bring court proceedings in the courts of the country in which you are domiciled. Otherwise, to the fullest extent permitted by law, you and we shall bring all court proceedings in the courts of England and Wales.
© TONGUES — An initiative by Voodoo Voodoo Ltd

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Privacy & Cookies Policy
Introduction
The tongues.cc website is operated by Voodoo Voodoo Ltd (‘TONGUES’).
This privacy policy applies to TONGUES.
We want you to enjoy our website and services secure in the knowledge that we have implemented fair information practices to protect your privacy. By visiting our website, you are accepting the practices described in our privacy policy, including our use of cookies and similar online tracking technologies. If you do not agree to the terms of this privacy policy, please do not use the website.
TONGUES may change this policy from time to time by updating this page and you should regularly check to ensure that you are happy with any changes. This policy was last updated on 11 February 2020.
The policy outlines:
1. General principle
2. How we collect information
3. Types of information we may collect
4. How we use your information
5. How we protect the information we collect
6. Access to your personal information
7. How to contact us
1. General principle
There are two types of information we may collect from you when you use the website: non-personally identifiable information and personally identifiable information. Non-personally identifiable information does not individually identify you, but it may include tracking and usage information about your general location, demographics, use of the website and the internet. Personally identifiable information is information that you voluntarily provide when you set up a user account, subscribe to a newsletter, or query that can individually identify you and may include your name and email address etc.
We do not link non-personally identifiable information to your personally identifiable information.
We do not share either type of information unless required to run the website and services (see third-party services below). We will never sell either type of information.
This privacy policy does not apply to any information collected outside of the website, including offline or through other means (for example, via telephone or through email), unless otherwise stated below or at the time of collection.
2. How we collect information
We collect information when you:
— Ask to be placed on an email newsletter list
Make an enquiry about our services
— Answer a reader survey
— Provide information to us
Links to other websites, social media platforms
Our website may contain links to other websites of interest. However, once you have used these links to leave our website, you should note that we do not have any control over the information that is collected and shared about you. You should exercise caution and look at the privacy statement applicable to the website in question.
You may interact with content on our website through social media platforms we use such as Facebook by using their social features. Examples of social features include ‘liking’ or ‘sharing’ our content. We encourage you to review their policies before using their tools, which can be found at their respective websites. If you’d prefer that these social media platforms do not collect information about the content you share and use, we suggest that you don’t use their tools.
3. Types of information we may collect
The types of information we may collect includes:
— Account information (email address)
— Information you provide through a TONGUES reader survey which might include age range, education level etc
TONGUES is not responsible for any information you have provided in public areas of our website or on our social media platforms, which may then be viewed by other users.
4. How we use your information
The information we collect may be used to help us:
— Provide services you voluntarily subscribed to such as email newsletters
— Improve the quality of our website
— Promote services to you including advising you of updates or changes to our website and services
— Improve the website through reader surveys and feedback
Disclosure to third-party services
As part of providing our website and services to you we use a limited number of third-party services that perform functions on our behalf, including but not limited to website hosting, server monitoring, tracking user behaviour, marketing automation services, and customer service.
We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of these third-party services and encourage you to read the policies of the services we use below:
TONGUES uses the MailerLite marketing automation service to issue newsletters. Find out more about MailerLite’s Privacy Policy and Terms.
When you subscribe to our email newsletters
By clicking ‘Subscribe’ you agree to the following: 
We will use the email address you provide to send you a weekly or monthly email. We also send occasional updates and, no more than once a year, reader surveys. 
The email address/es you provide will be transferred to our external marketing automation service ‘MailerLite’ for processing in accordance with their Privacy Policy and Terms. We use MailerLite to issue our newsletters. We have no control over, and assume no responsibility for, the conduct, practices or privacy policies of MailerLite
Unsubscribing
You can change your mind at any time by clicking the ‘unsubscribe link’ in the footer of emails you receive from us, or by contacting us at info@tongues.cc. If you want to review and correct the personal information we have about you, you can click on ‘update preferences’ in the footer of emails you receive from us, or by contacting us at info@tongues.cc.
5. How we protect the information we collect
We are committed to ensuring that your information is secure. We have taken reasonable measures to protect information about you from loss, theft, misuse or unauthorised access, disclosure, alteration and destruction. No physical or electronic security system is impenetrable however and you should take your own precautions to protect the security of any personally identifiable information you transmit. We cannot guarantee that the personal information you supply will not be intercepted while transmitted to us or third-party service providers. 
Sharing your personal information
We will not disclose your personal information except; (1) as described by this Privacy Policy (2) after obtaining your permission to a specific use or disclosure or (3) if we are required do so by a valid legal process or government request (such as a court order, a search warrant, a subpoena, a civil discovery request, or a statutory requirement). We will retain your information for as long as needed in light of the purposes for which it was obtained or to comply with our legal obligations and enforce our agreements. 
Data transfer
This website is published in the United Kingdom. If you are located in a country outside of these countries and voluntarily submit personally identifiable information to us, you should be aware that information about you will be transferred to this countries. We attempt to comply with local data protection laws to the extent that they may apply to TONGUES. 
Age of consent
Our website is not directed at children under the age of 18 and we do not knowingly collect or maintain information from those we know are younger than 18. If you are younger than 18, you should not submit or post any personally identifiable information to our website. By using the Service, you represent that you are at least 18 years of age.
6. Access to your personal information
You may request a copy of the personal information we hold about you by submitting a written request to info@tongues.cc. We may only implement requests with respect to the personal information associated with the particular email address you use to send us the request. We will try and respond to your request as soon as reasonably practical. When you receive the information, if you think any of it is wrong or out of date, you can ask us to change or delete it for you. 
We take all reasonable steps to ensure the information held is accurate, up-to-date, complete, relevant and not misleading. 
7. Contact us
If you have any questions about our privacy policy or our use of your information, please contact us at info@tongues.cc.

Chris Soal

February 18 / 2021

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Chris Soal’s work invites us to question our perception around found objects and other industrial materials — overlooked items that carry meaning and open up conversations around our at-times destructive relationship with our environment, and our sense of value. His body of work is simultaneously an exploration of materiality, and a reaction and a comment to Johannesburg’s socio-political tensions.

His current solo exhibition, ‘As below so above‘, is on at Whatiftheworld until 1 May 2021. 

 

Q >Give an example of a successful project you’ve completed — and tell us about what factors were responsible for its success. 

A >The existence and functionality of my studio feels like my most successful project to date. Learning how to set up a space that can flexibly cater for multiple projects and, even more importantly, learning how to work with numerous individuals towards a singular vision, while also allowing for their particular approaches, has been incredibly challenging yet rewarding. Most of my energy has gone into fostering relationships with my team and communicating my vision and philosophy to them, but this has also paid off with allowing me the space to pursue and develop new ideas while production on projects can happen simultaneously. 

Q >What patterns, routines or rituals define or help to shape your life and its rhythms?

A >With the disruption that the global pandemic caused in 2020, I really felt the importance and need for rituals, routines, and patterns in my life. I became rather strict about existing routines and even managed to implement a few new ones. Daily journalling (sometimes known as “morning pages”), regular exercise, reading, consistent sleep, weekly sabbaths (intentional time off, artist dates) are things that I fight to keep “sacred.” I also try to scatter little pleasures here and there just to remind myself that I’m alive; cool sparkling water is perhaps my most mundane yet often the most pleasurable of these treats. 

Q >What themes do you like to explore in your work, and why?

A >The themes that arise in my work are always informed by the direction and forms that the material leads me in. However, I am aware that through the use of ubiquitous, and often discarded, objects, the very fact that I am working with them in the way I do engages the viewer’s perception and challenges their assumptions around value. My sculptural sensibilities have led me to take a phenomenological approach to my practice, considering my work as thought-embodied through its very nature and process. 

Q >Which things would you like to include more in your life; what would you like to include less of?

A >Some things I’d definitely like to have more of include more room for unstructured activity (daydreaming perhaps?), more reading (of fiction specifically — it’s easy to justify non-fiction reading as work), and more outdoor adventures. I could certainly do with less social media, and less second-guessing. 

Q >Which part of the creative process is most satisfying; which part of it is most frustrating (or challenging) — explain why?

A >One of the most satisfying aspects of the creative process recently, is how a material can lead you in a new direction despite having worked closely with it for years. I feel like the capacity for being surprised within one’s own practice is something that definitely keeps me engaged, and trusting in the potential of the material to reinvigorate itself in the studio has also taught me to be patient. I’ve found learning to trust my intuition to be one of the most challenging aspects: it’s such a still small voice that sometimes picking it out of all the thoughts, comments, and fears about a work can be difficult. Journalling or going on long walks have often been helpful ways of cutting through the noise and paying attention to my actual feelings and thoughts on a work or exhibition. 

Q >Tell us about your material choices, and how these raise questions about larger societal concerns.

A >I’m often hesitant to say that I chose a material — it mostly feels like the material chooses me. There’s always a relationship with my body, a way of fiddling with the material (in the case of the toothpicks and the bottle tops) and the way the material imprints itself on me, both physically and conceptually. Not only are these materials readily accessible, but they’re embedded within the larger social fabric, which allows me to engage with concerns that I feel are significant to this time and place.

Q >What do you hope viewers of your new exhibition will walk away with?

A >I hope that the work imprints itself on the viewer in the same way that the materials have imprinted themselves on me. I hope that a spatial awareness is manifested, and that the viewer’s complicity in relation both to the work and the world is felt and embodied.

Q >What can be done to address unequal access to spaces and opportunities within post-apartheid society?

A >I’m not sure I can comprehensively address this, and I don’t think that my work seeks to either. I do think that within the post-apartheid context, wealth still remains largely in the hands of a wealthy, white minority. And as long as art is considered a (luxury) commodity to be exchanged within a market economy, what is bought, sold, and validated will be controlled by that minority. A reassessment of our collective evaluation of art could be one way of opening more avenues for enabling diverse artistic practices. (See Lewis Hyde’s The Gift for what I think is one well researched and presented way of considering this contemporary dilemma.)

 

Chris Soal (b. 1994, South Africa) is an award-winning, emerging artist living and practicing in Johannesburg. Using unconventional found objects, such as toothpicks and bottle caps, in conjunction with concrete and other industrial materials, Soal negotiates structural impacts on urban living and reflects on ecological concerns.

Soal’s spatial approach to sculpture reveals a sensitivity to texture, light and form, expressed in an abstract minimalist language. While, conceptually, his works refer to the socio-political context of their making, highlighting the histories embedded in the found material, and utilising them in a way that challenges societal assumptions of value.

 

All images courtesy of Chris Soal and WHATIFTHEWORLD
© Chris Soal

VICARIOUS IMMANENCE, 2020

Chris Soal. Photo by Tshego Mako

AS BELOW, SO ABOVE — 2020

ADRIFT — 2020

ADRIFT (detail) — 2020

WITH YOU OR WITHOUT YOU — 2020

THE ESCAPE — 2020

FABLE (A QUESTION OF NATURE. A QUESTION OF CULTURE) — 2019

YOU PULLED ME CLOSE TO TEAR ME APART — 2019